Category Archives: Contests

Canada Reads 2017

The Canada Reads Shortlist is out.  They are all very deserving books, but, as always, my shortlist would have been different.  These are the books I would have chosen:

#1

The Break by Katherena Vermette

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Excerpt:

It is so late it’s early. She had waited hours for the police to come. Waited shaking, thinking they would come at any moment. She was unable to stop cleaning or crying. She should have called her Kookom then. She would’ve been asleep, but she still would’ve answered. Or Aunty Cher, she would’ve come over, made the coffee, yelled at the cops when they started acting like they didn’t believe her. But Stella didn’t do any of that.

Jeff gets up, stands behind her at the sink and pulls her into his arms, forcing her into a hug. She waits until he’s done so she can ring out the wet cloth.

“You were half asleep. And it’s okay. It’s okay. But with your past, hon, you know you could’ve just been dreaming. You could’ve just been confused.”

She breaks away from him and goes to wipe the table. “There’s blood all over out there,” she says over her shoulder as she storms out of the kitchen again. The wind picking up outside, knocking at the old window.

“No one says nothing happened,” he sighs. “It just might be different than you think.”

She doesn’t say anything, just scrubs.

I find this excerpt incredibly powerful.  The feeling of not being believed even though there is evidence, even though it is gut-wrenchingly horrible, even though you are a human and deserve to be believed, is a painfully familiar feeling and pulled me right back to a time in my life when the people on whom I depended most denied my reality.  It’s like… no, not like, it is being victimized all over again.  This book did make the shortlist and is being defended by Candy Palmater.    

Apart from the emotional impact, this book employs shifting narratives–something I enjoy reading and use in my own writing.  A story about the residents in Winnipeg’s North End, it is an important addition to the growing renaissance of Indigenous literature.

This book did make the shortlist and is being defended by Candy Palmater.    

 

#2

I am Woman by Lee Maracle

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Excerpt:

Scribble… scribble… scribble… I gathered up a host of paper napkins, brown bags and other deadwood paraphernalia on which I had scribbled the stories that people gave me. Scribbled sitting in the back of buses, inside grungy restaurants and in the audiences of large gatherings. Typed out the scribbles between the demands of young children and worked them up for publication until finally they made their way to the printer.

On all these scraps are written the stories of people of my passion. In the early years of my political activism the passion expressed itself as a virulent hatred for the system which destroyed our lives, our families; today, the passion expresses itself as deep caring. I resisted publishing for a long time, not because I lacked confidence in the words scribbled on my scraps of paper – the voices of the unheard cannot help but be of value – but how can one squeeze one’s loved ones small, onto the pages of a three-dimensional rectangle, empty of their form, minus their favourite colours and the rhythm of the music that moves them?

 

Oh, I love this book for so many reasons.  Published in 1988, it still resonates.  She writes with passion about writing, about indigenous women, about all women, about activism, and does it so poetically that reading it is like following the flute of the Pied Piper.  She is masterful with her pen.

 

#3

Waiting for First Light: My Ongoing Battle with PTSD by Romeo Dallaire with Jessica Dee Humphreys

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Excerpt:

A pain shot through my arm, from the shoulder right down to my fingertips, waking me. I struggled upright, and squinted through the darkness, seeking the source. A sniper’s bullet? A grenade? Years of artillery training and months of war had made me immune to the sound of explosions, so it was entirely possible that I’d missed it.

Confused, I tried to attune my senses to the unfamiliar darkness and the curious silence. I was clearly indoors, but this was not my office at the Amahoro Stadium in Kigali. Since the war began, I had slept at my desk, with lights blazing, ready to take immediate action. Three, four hours, tops. The sounds of the deep night – animals rustling, babies crying, the fax whirring machine, the crackle of the walkie-talkie anticipating a call for help from a vulnerable field post, distant (and often not so distant) firefights – these had been the faithful companions of my sleep.

 

In my previous career, I was a teacher.  For 33 years I taught English, Canadian history, Japanese, Humanities, First Nations Studies, English as a Second Language, and probably a few other things that I’ve forgotten.  But, of all of my teaching experiences, by far the most important and impactful for me was teaching a class called Social Justice 12.  Every time I taught this class, my students, by the end, were saying “Why have we never been taught this before?”  The educational assistants, who were invariably assigned to help the students with special needs that I welcomed into my room, fought over who would get to be in my classroom.  I knew I was doing something special.

One of the units I taught was on genocide; how it happens, what are the stages, when global powers could step in to prevent it.  We used the genocide in Rwanda as an example.  At the beginning of the unit, many of my students had not heard of Romeo Dallaire, but by the end, my students (and I) were impressed by his bravery, his humility, and his humanity.  We all agreed that he was a real Canadian hero, and I believe every Canadian should read this book.  

 

#4

One Hour in Paris by Karyn L Freedman

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Excerpt:

In early June, while still travelling with Lisa, I spent a day and a half in Heidelberg with my ex-boyfriend who was there for the summer, studying German. I think he now goes by his given name, David, but back then everyone knew him by his nickname, Stream. Stream and I met in 1987 in New York City. I lived there for two years while attending the Fashion Institute of Technology (FIT), where I studied fashion merchandising. I had gotten there by accident. I graduated high school – barely – in 1986. The rebellious years that I referred to earlier were at their peak then and I was struggling to find my way. I went through half a pack of cigarettes a day and spent my weekends smoking pot and getting high. Those were dark days. I would regularly sneak out of my house in the middle of the night to meet other wayward friends and then sleep through classes the following day (during grades 11 and 12, my absentee rates were routinely higher than my grades). The only thing I was focused on was avoiding the emotional consequences of my privileged, middle-class, suburban upbringing.

 

Wow.  For me, that last line says it all.  I, like her, grew up in a privileged, middle-class, suburban family.  From the outside, it looked like rainbows and sunshine.  But inside, it was dark and miserable.  I, too, was sexually assaulted.  For me, it happened when I was a child and not only did I not tell anyone, I didn’t have the vocabulary at that time to describe what had happened to me.  In Canada, 1 in 4 women will have been sexually assaulted by the time they are 18.  Think about that.  Next time you are walking down the street, just count four random women.  One of them was sexually assaulted.  If you are walking down a busy street in Vancouver or Calgary or Toronto or Halifax, spend two or three minutes counting ‘one, two, three, four’ as women walk by you.  In two minutes, you will have likely counted to four twenty-four times.  In two minutes, you have walked by twenty-four women who have been sexually assaulted.  And for men, the number is one in six.  If you do the same exercise for men, you will have walked by 18 men who have been sexually assaulted.  In two minutes, you will have walked by 42 people who have been sexually assaulted. Forty-two.  And yet, there are still people who deny we live in a rape culture.  ‘Nuff said.

 

#5

Company Town by Madeline Ashby

 

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Excerpt:

On the stairs to the third tier, she saw the man with the rifle.

He paced the refinery catwalks high above the fray. As Hwa watched, he paused and began examining the rifle. Hefting it in his hands. Peering down the scope. The gun was illegal on the platform; since the fall of the Old Rig there were laws against projectiles and explosives and all the other things that could cause a pillar of fire to vaporize a crew of roughnecks like tobacco leaves. Not that that mattered, in this long and terrible moment. What mattered was that he could shoot into the crowd. What mattered was her promise to protect two men in that crowd.

 

I chose this particular book because it is so different from the rest.  I love fantasy–in fact, I am working on a YA fantasy trilogy right now.  There are three things that make this particular novel so interesting for me:

  1. There is a very strong female protagonist,
  2. The author plays with time and reality, and
  3. It is so well written.

 

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The 3 Day Novel Contest: Oh The Horror!

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Yesterday the 3 Day Novel Contest wound up at midnight.  In three days contestants write a novel.  Yup, that’s right.  It’s a short novel – a novella really – but it is complete – 18,000 words in three days.

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18,000 words in 3 days = carpal tunnel!

It is the second time I have entered this contest.  The first time I was unprepared.  Oh, I read all the hints and suggestions on the web page, including their Survival Guide but NOTHING prepares you for the actuality of writing almost non-stop for three days until you have a completed novella. It is a crazy rollercoaster of a weekend.

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The first time I entered, I had an idea semi-formed, but when I sat down to write, the whole thing flew out the window and I went in an entirely different direction.  This worked out well for me as it ended up with the publication of Greenwich List.

This time, I decided to take an idea that had been floating around in my head for five years.  I outlined the story in five ‘acts’.  It seemed like a clever idea at the time.  But, as with the first year, all my cleverness turned out to be useless.

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I did hold onto my idea, however.  This idea was like a friend.  She had been sitting with me for five long years – tapping at my brain saying “Write me!  Write me!  You know you want to!”  So that’s what I did.  I took my friend and wrote the story that had been clamouring to come out for all these years.  You might be saying now, ‘Diane, what was that idea?’  Well, sorry, not going to tell you.  It came out over the weekend as a novella, but I am planning on turning it into either a full-length novel or part of a collection of stories so you will just have to wait.  I will tell you, however, that it was a horror story. The first I have ever written!  And, while I think I pretty much got it right, I went back afterwards and looked what HP Lovecraft had to say about the genre.  Some of what he wrote is now a bit out of date, but much of it is timeless, especially in regards to weird or horror fiction.

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Rules and Themes of Horror Writing as Adapted from HP Lovecraft

 

The true weird tale has to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain–a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space. – HP Lovecraft

 

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  • There are two categories of “weird” fiction (which includes horror).
    • The horror expresses itself in some unexpected condition or phenomena.
    • The horror expresses itself in a character’s behaviours which are connected in some way to a bizarre condition or phenomena.
  • Each weird/horror story involves five definite elements
    • some basic, underlying horror or abnormality in character or setting.
    • how the horror affects the characters/setting/etc..
    • how the horror presents itself; what does it do & how does it do it?
    • how do the characters react to the horror?
    • how does the horror act within the given circumstances or ‘world rules’ set out in the story.
  • There must be the “maintenance of a careful realism” within the operating rules of the world created throughout the story except in the aspects that are impacted by the horror.
  • The horror must have carefully contrived emotional build up. All that a horror story should be is “a vivid picture of a certain type of human mood”.
    • subtle suggestions of emotion or clues to the horror or characters’ responses are key.
    • use “imperceptible hints and touches of selective associative detail which express shadings of moods” to make the unreality of the horror seem real even though we “suspend or violate the illusion of time, space, and natural law”
    • Avoid lists of incredible events which add no substantive meaning to the horror.
  • There needs to be an air of ‘awe and impressiveness’ around the horror.

 

HP Lovecraft was the master of weird fiction and was a great story-teller.  His rules for writing are basic and can apply to any fiction writing.

  1. Write out the chronology of the story.
  2. Write out the order of narration of the story.
  3. Write the story in order of #2.  Write it quickly and without criticism – that will come later.
  4. Revise, revise, revise!!!
  5. Do a neat, well-formated copy.

Good advice for all of us.